Composers
Albinoni, Tomaso (1671 - 1751)
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The source is the autograph of the score available at Sächsische Landesbibliothek - Staats- und Universitäts- bibliothek (SLUB) (D-Dl) , Mus.2199-R- 5, RISM ID no.: 212001522. References are: TalAl So 33, RosA II.A.1.9.5. The manuscript was brought by Pisendel in 1717 from Venice.
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The source is the autograph of the score available at Sächsische Landesbibliothek - Staats- und Universitäts- bibliothek (SLUB) (D-Dl) , Mus.2199-R- 1, RISM ID no.: 212001583. References are: GiaA 108, TalAl So32, RosA II.A.1.12.3. Caption title: “Sonata a Violino | solo | di me Tomaso Albinoni | Composta p il Sig: | Pisendel”.
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The source of Concerto VIII Op. 7 by Albinoni is a printed edition of separate parts with caption title “Concerti a Cinque”, Estienne Roger, Amsterdam, 1717. The edition is online available at Petrucci Music Library.
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The reference source is a ms. of separate parts Mus. 2199-N-2. This Sinfonia in g has been classified by: GiaA 110, TalAl Si 7, RosA II.D.2.3.1. In this version it could be an arrangement of a symphony for a string orchestra to the needs of the Dresda orchestra: flutes and oboes are always doubling the violin parts. Even bassoon is doubling the bass part.
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Source is a ms of 18 separate parts Mus. 2199-N-4, Digitale Sammlungen, SLUB Dresden. Several authors classified this Sinfonia: GiaA 112, TalAl Mi 2, RosA II.D.2.1.1. Possibly, it is an arrangement for the Dresden Orchestra of a Sinfonia for oboes and strings by Albinoni. In fact, almost always flutes double violins and in the first movement fall below the usual instrument range.
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Source, available at International Music Library Project (IMSLP22141-PMLP50761), is a printed edition of six parts by John Walsh, London (no date). Caption title: „ALBINONIS CONCERTOS / in Seven Parts / for three / VIOLINS TENORS / and / BASS VIOLIN / with a / THROUGH BASS / for the / HARPSICHORD / Compos'd by / TOMASO ALBINONI / Opera Secunda”. The Viola Tenor part is not included, while the remaining six parts follow the first edition of Opera Seconda (G. Sala, Venezia, 1700).
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Source is a digitized copy of a printed edition of parts by Le Cène, Amsterdam, c. 1730: “CONCERTI A CINQUE / Con Violini, Oboè, Violetta, Violoncello / e Basso Continuo / Del (!) Signori / G. Valentini, A. Vivaldi, T. Albinoni, / F. M. Veracini, G. S.t Martin, / A. Marcello, G. Rampin, A. Predieri / Libro Secondo / A Amsterdam / Chez / Michel Charles Le Céne Libraire / N.o 433”. Concerto No. XI on one of the five concertos without opus number, already published by J. Roger in 1717/18, with multiple errors copied by Le Céne. For a detailed analysis look at Fabrizio Ammetto, „La produzione strumentale di Tomaso Albinoni (I) - I Concerti per violino senza numero d'opus“ Hortus Musicus N° 12 October-Dicember 2002. The edition is available at Digitale Bibliotek - Münchener Digitalisierungzentrum (Mus.pr. 20734-2).
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The source is a 1746 ms. of separate parts, partly autograph in the Violino secondo part, available at Biblioteca del Conservatorio di Musica S. Pietro a Majella, Napoli, IT\ICCU\MSM\0084782.
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